They were fascinated by the 19-foot-wide, 12-petal lotus flower created by sculptor Kate Raudenbush.
Called the Guardian of Eden, the metal sculpture inspired Buddhist symbolism, Hindu and Egyptian creation myths, ancient Flower of Life symbol. Even though I was tired, I couldn’t resist seeing what my granddaughters saw while standing in the shade beneath the Guardian.
The world looks very different from within the sculpture. My five-year-old granddaughter, Freya, liked standing close to the leaves and looking at the museum building and the others at that intersection through the holes. I can’t say what she saw, but I saw a world defined–created, perhaps–by the sculpture. The shade beneath the Guardian was part of it and so were the bits and pieces of West Liberty Street obscured by the petals.
That which was visible by my changed perspective beneath the sculpture was more important than that which was covered up. In many ways, the sensation is like staring at the spaces between the leaves of a tree rather than focusing on the leaves.
Children naturally explore their world and the, play with it–so to speak–by looking at it from slides and swings, by handing upside down on a jungle gym, peering at it through a stand of weeds, the hair of a doll or the holes in a colander.
As writers, we do this, too. When we do, what do we see? What do we imagine? And what new stories can we tell? It’s fun to speculate about such things and then go out and create one’s own adventures.
Malcolm R. Campbell is the author of contemporary fantasy, including the recently released “The Betrayed,” a story of lies, deceit and corruption on what appeared to be an Edenic college campus. Click on the banner to grab your Kindle copy today.